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Home arrow Travel France arrow Travel Côte d'Azur arrow Travel Les Eyzies About Grotte de Font de Gaume








Travel Les Eyzies About Grotte de Font de Gaume

Since its discovery in 1901, dozens of polychrome paintings have been found in the tunnel-like Grotte de Font-de-Gaume (daily except Wed: March & Oct 9.30am-noon & 2-5.30pm; April-Sept 9am-noon & 2-6pm; Nov-Feb 10am-noon & 2-5pm; €5.34; tel 05.53.06.86.00, fax 05.53.35.26.18; maximum twenty per tour), 1.5km along the D47 to Sarlat. Be aware that tickets sell out fast and only two hundred people are allowed to tour the cave each day; advance booking, several days ahead in peak season, is essential.
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The cave was first settled by Stone Age people during the last Ice Age - about 25,000 BC - when the Dordogne was the domain of roaming bison, reindeer and mammoths. The cave mouth is no more than a fissure concealed by rocks and trees above a small lush valley. Inside, it's a narrow twisting passage of irregular height, and you quickly lose your bearings in the dark. The first painting you see is a frieze of bison, at about eye level: reddish-brown in colour, massive, full of movement, and very far from the primitive representations you might expect. Further on a horse stands with one hoof slightly raised, resting. But the most miraculous of all is a frieze of five bison discovered in 1966 during cleaning operations. The colour, remarkably sharp and vivid, is preserved by a protective layer of calcite. Shading under the belly and down the thighs is used to give three-dimensionality with a sophistication that seems utterly modern. Another panel consists of superimposed drawings, a fairly common phenomenon in cave painting, sometimes the result of work by successive generations, but here an obviously deliberate technique. A reindeer in the foreground shares legs with a large bison behind to indicate perspective.  

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Stocks of artists' materials have also been found: kilos of prepared pigments; palettes - stones stained with ground-up earth pigments; and wooden painting sticks. Painting was clearly a specialized, perhaps professional, business, reproduced in dozens and dozens of caves located in the central Pyrenees and areas of northern Spain

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